McCoy Tyner Trio — Live in Gdynia
A Hidden Audiophile Treasure on Master Reel Tape

The power, warmth and spontaneity of live jazz
Many archival concert recordings promise exceptional music, yet few convey the real physical presence of a great trio at work. Live in Gdynia is a recording that deserves attention for the quality of the musicianship as much as for its analogue-minded presentation.
On 11 July 2000, pianist McCoy Tyner appeared at Gdynia Summer Jazz Days in Poland, supported by bassist Charnett Moffett and drummer Al Foster. The performance took place at Teatr Muzyczny, Gdynia.
For devotees of piano-trio jazz, it is an opportunity to hear one of the music's defining voices in direct dialogue with two accomplished improvisers.
Explore the AC Records reel-tape catalogueThree individual voices, one powerful ensemble
McCoy Tyner
Piano — A defining figure of post-bop piano, whose expansive harmonies, percussive attack and rhythmic authority reshaped modern jazz. His work with John Coltrane remains fundamental to the music's history.
Charnett Moffett
Double bass / bass guitar — A virtuosic bassist whose nimble lines and elastic rhythmic sense bring both momentum and melodic independence to the trio.
Al Foster
Drums — An influential jazz drummer celebrated for precise time, flexible accompaniment and the ability to energise an ensemble without overwhelming it.
A night at Gdynia Summer Jazz Days
Tyner's characteristic harmonic weight and rhythmic intensity are unmistakable. In this setting, Moffett's lively bass playing gives the pianist a responsive counterpart, while Foster provides supple, propulsive drumming. Their interplay keeps the music spontaneous rather than merely polished.
Recorded in the theatre on 11 July 2000, the concert was returned to listeners in an AC Records reissue programme. The label lists a full-analogue (AAA) production for its vinyl editions and identifies an option for a custom-made tape copy.
Production context: AC Records credits Piotr Łukaszewski with remastering the programme at Custom34 Studio in January 2021 and Hendrik Pauler with DMM cutting for the vinyl. DMM cutting relates to the vinyl editions, not to duplication of reel tapes. High Fidelity has also documented contemporaneous DAT recording in its history of the festival archive; therefore the full signal path of the reel edition should be checked against edition-specific documentation rather than assumed solely from the AAA marketing description.
Nine pieces across the concert programme
Programme — Part One
- Trane Like — McCoy Tyner
- Lazy Bird — John Coltrane
- Will You Still Be Mine — Matt Dennis / Tom Adair
- Once Upon a Time — McCoy Tyner
- In the Tradition Of — Stanley Clarke
Programme — Part Two
- Where Is Love — McCoy Tyner
- Poinciana — Nat Simon
- Bluesin' with Bob — McCoy Tyner
- Memories — McCoy Tyner
Track titles are standardised editorially from the label's published LP programme; the tape programme should be checked against its own supplied track sheet.
Positive Feedback Writers' Choice Awards 2022
The album was highlighted in the 19th Annual Positive Feedback Writers' Choice Awards for 2022. The review singled out its engaging performances and warm, inviting sound, portraying it as a jazz discovery worth seeking out.
This recognition supports the release's appeal among specialist listeners without implying that the editors evaluated every subsequent tape pressing or custom edition.
Music on reel tape — for the dedicated listener
Tape-format details reflect the supplied AC Records catalogue information. Confirm any custom specification, turnaround time and original-source provenance with the supplier before ordering.
The value of this release lies in the intersection of outstanding musicianship, live-concert atmosphere and a carefully prepared physical edition. For collectors of McCoy Tyner, it is a compelling title to explore.
Recording and edition references
Information checked against AC Records' official album page, its September 2021 announcement, and High Fidelity's recording history. The image is supplied promotional artwork; this feature is an editorial overview, not a first-hand listening test.
